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Watcha biography
 In the beginning days (1994) WATCHA was innate with the gathering of FRED (guitars) and EL BUTCHO (supremacy spoken) in a healthy engineering education place in the suburbs of Paris. Quickly between them settle accepting and they certain to create a circle. Earliest they recorded a not many demo tapes to discovery others musicians. By desire ads they found MANU (guitars) JEAN PIERRE (bass) and KEUJ (drums) in Paris. This final individual choice permission them following a not many weeks leaving the location to Born earlier (drums). From this instant on singular individual entity was absent: The .ame.to qualify its harmony which has already a powerful celebrity. During a laundry below gathering FRED and MANU opened an English document at haphazard pointing a finger on the discussion WATCHA. They found this discussion gone of cliches of metal circle and it sounded pleasant.IIt was approved unanimously. Following individual year Born earlier west WATCHA.KEUJ stood in for Born earlier again. WATCHA was the earliest metal circle in France with a usual healthy a mechanical instrumentation influenced at the start by bands Similar PANTERA Very great. During a performance a account people (XIII bis) was there and paid concentration to them asking the circle to appear in a French government assemblage called (XIII n.). It was its genuine earliest studio knowledge with Philippe Chambin (Their healthy engineering schoolteacher) with the heading .onformity. Small by small the WATCHA . fashion asserted itself but the influences became additional mechanical (Meshuggah Korn). The year 1997 was a turning speck for a WATCHA. The leaving of JEAN PIERRE for harmonic difference was the chance for PENDULE (bass) to integrate the posse. The change was not difficult and normal it was similar he has always been in the circle. A abridged interval following WATCHA joined the brand Damp Harmony then they started gigs following gigs during whole France Belgium Switzerland Quebec Spain and Tcheque Republic. The spirit on level was so strong that they quickly gained an superior opinion. .HE Large JUMPING MACHINES.in symbiosis with the congregation. Straightforward true and definite are the qualifying adjectives for those five Parisians. At its earliest holder delivery the 23 Sept 1998 the eponymous holder aroused attraction in the media. Philippe Chambin and WATCHA recorded this earliest individual in Belgium. For the circle lyrics have to be pluri-represented because each individual has to think on his belonging. That attitude (unfastened-mindedness) is evenly in its harmony WATCHA don. imitate they create. Creating a confident sky with healthy effects singular with the guitars and samples. WATCHA. circumstances is big and moneyed taking its influences in abundant dissimilar harmonic movements Similar HIP-HOP Depression Being TEKNO-HARDCORE JAZZ and certain METAL. They joined the make-up of organizers and booking organization SRIRACHA-SAUCE in Sept 99 with additional concerts whole accomplished Europe with every period a recent congregation always in advancement (300 gigs). Feb 2000 the subordinate holder .ELIKI CIRKUS.was released. Also recorded in Belgium but with Stephan Kraemer. The holder was a accomplishment and the ability was habitual. A growth of a extended and composite rocklike labor and a angry limitless spirit. WATCHA are now self-certain on what they desire in their harmony adventurous and sharing their definite vibrations. No questioning to recognize them the individuality is here not happy to have a ancient make-up similar a composition and chorus. The holder .UTANT.is a ingenious assemblage of harmonic styles and cultures which initially had emptiness in ordinary: Untypical drums playing sometimes towards METAL Rocklike-Center in flawless symbiosis with a bass which has Indentation and intelligent overtones. The entire entity skillfully merging with sharpened guitar licks able of changing into unbelievable loud device instruments. As for supremacy and support vocals a detailed labor was accomplished moneyed in agreement and a expansive extent of volume. |